True Story

Starred review from March 14, 2005
In 2001, Finkel fabricated portions of an article he wrote for the New York Times Magazine
. Caught and fired, he retreated to his Montana home, only to learn that a recently arrested suspected mass murderer had adopted his identity while on the run in Mexico. In this astute and hypnotically absorbing memoir, Finkel recounts his subsequent relationship with the accused, Christian Longo, and recreates not only Longo's crimes and coverups but also his own. In doing so, he offers a startling meditation on truth and deceit and the ease with which we can slip from one to the other. The narrative consists of three expertly interwoven strands. One details the decision by Finkel, under severe pressure, to lie within the Times
article—ironic since the piece aimed to debunk falsehoods about rampant slavery in Africa's chocolate trade—and explores the personal consequences (loss of credibility, ensuing despair) of that decision. The second, longer strand traces Longo's life, marked by incessant lying and petty cheating, and the events leading up to the slayings of his wife and children. The third narrative strand covers Finkel's increasingly involved ties to Longo, as the two share confidences (and also lies of omission and commission) via meetings, phone calls and hundreds of pages of letters, leading up to Longo's trial and a final flurry of deceit by which Longo attempts to offload his guilt. Many will compare this mea culpa to those of Jayson Blair and Stephen Glass, but where those disgraced journalists led readers into halls of mirrors, Finkel's creation is all windows. There are, notably, no excuses offered, only explanations, and there's no fuzzy boundary between truth and deceit: a lie is a lie. Because of Finkel's past transgression, it's understandable that some will question if all that's here is true; only Finkel can know for sure, but there's a burning sincerity (and beautifully modulated writing) on every page, sufficient to convince most that this brilliant blend of true-crime and memoir does live up to its bald title. 4-city author tour.

August 1, 2005
Finkel reads his own tale of crime and circumstance with a plain, workaday tone ideal for the story of an average journalist caught up in a web of murder. Once a hotshot writer for the New York Times
magazine, Finkel was fired for blending fact and fiction in a 2002 story about child slavery in Mali. At the same time, he discovered that a wanted criminal named Christian Longo, who had murdered his entire family, had been passing himself off as Finkel. Blending the disaster of his own creation with the one he finds himself accidentally a part of, Finkel's reading captures the right tone of mixed guilt and incredulousness, as if he simply could not believe his odd luck. While his is not a trained voice, Finkel ably retells the story of his fall from grace, and his bizarre relationship with the Finkel-manque he discovers. He finds the right tone for each twist of his unusual story, from disappointment at his own lack of professional good sense, to appreciation of the second chance granted him as a writer by the surprise intrusion of Longo's sordid story into his own life. Simultaneous release with the HarperCollins hardcover (Reviews, Mar. 14). (June)

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May 1, 2005
Truth is most assuredly stranger than fiction. A week after Finkel was fired from the "New York Times" for writing a partially fictionalized "Magazine" cover story, he learned that Christian Longo, who fled Oregon upon murdering his wife and three children, had been telling acquaintances that he was Michael Finkel from the "New York Times". In a surreal plot twist, the two men established a bond through a series of letters, prison visits, and phone calls. Finkel interweaves Longo's story with that of his own career and public disgrace at the "Times", contrasting the murderer's pathological lies with his own act of fictionalization to stunning effect. Finkel's insider information and unique perspective make this book preferable to Carlton Smith's "Love, Daddy", and the perspective of the disgraced author is a compelling addition. Essential for regional collections and a good choice for all public and academic libraries. [See Prepub Alert, "LJ" 1/05.] -Deirdre Bray Root, Middletown P.L., OH

Copyright 2005 Library Journal, LLC Used with permission.

January 1, 2005
This is some story: a harassed young contributing editor fakes part of a story and losses his job. Hiding away from the world, he discovers that a murderer had assumed his identity.

Copyright 2005 Library Journal, LLC Used with permission.

April 15, 2005
The day before his career with the " New York Times Magazine " was set to end with the disclosure that he had concocted parts of a story about African slave labor, Finkel received a call notifying him that a man accused of murdering his family had been impersonating the reporter while on the run in Mexico. What started as a curiosity ended up being the path to personal and professional redemption as Finkel began a long relationship with Christian Longo, accused of murdering his wife and three young children. The "defrocked" journalist is tested by a man who has impersonated him but is well aware that he can have his choice of journalists to hear his story and that, on a certain level, he is in control. They develop a tentative mutual trust through months of communications and thousands of pages of letters as their curious relationship unfolds, and each struggles with notions of truth and deceit. This book is absolutely riveting, as much for Finkel's own painful self-examination as for the evasions of an accused murderer. (Reprinted with permission of Booklist, copyright 2005, American Library Association.)