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All Shall Be Well

Audiobook
1 of 1 copy available
1 of 1 copy available

Perhaps it is a blessing when Jasmine Dent dies in her sleep—at last an end has come to the suffering of a body horribly ravaged by disease. It may well have been suicide; she had certainly expressed her willingness to speed the inevitable. But small inconsistencies lead her neighbor, Superintendent Duncan Kincaid, to a startling conclusion: Dent was murdered. But if not for mercy, why would someone destroy a life already doomed?

As Kincaid and his appealing assistant Sergeant Gemma James sift through the dead woman's strange history, a troubling puzzle emerges: a bizarre amalgam of charity and crime—and of the blinding passions that can drive the human animal to perform cruel and inhuman acts.

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    • AudioFile Magazine
      Michael Deehy's solemn voice provides a courtly eloquence to Deborah Crombie's moody police procedural. When his neighbor, Jasmine Dent, dies, Superintendent Duncan Kinkaid is not surprised since Jasmine had terminal cancer. However, when her journals are found, Duncan and his partner, Sergeant Gemma James, suspect her death was not from natural causes. As they go through the journals, Deehy's narration makes every new discovery about Jasmine's personal life fascinating. His performance gives multiple dimensions to each of the possible suspects, including Jasmine's failure of a brother, Theo; her day nurse, Felicity; her friend, Margaret; and Margaret's money-hungry boyfriend. Deehy allows Crombie's subtle clues to reveal themselves in ordinary, completely human ways. He is nicely understated as Duncan and Gemma's connection deepens and the mystery slowly unfolds. S.J.H. (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      January 3, 1994
      Written with compassion, clarity, wit and precision, this graceful mystery amply fulfills the promise of Crombie's debut novel, A Share in Death. ``Morphine coats the mind like peach fuzz,'' thinks Jasmine Dent, a 50-year-old spinster born in India who is dying in London of lung cancer. Her death resembles suicide but leaves her friend and neighbor from the flat above, Scotland Yard Supt. Duncan Kincaid, uneasy. The postmortem he orders reveals an overdose of morphine, prompting him and his sergeant, hot-tempered, copper-haired Gemma James, on a thorough investigation. Suspects include 30-ish, disheveled Meg Bellamy, a timid friend with whom Jasmine had considered suicide, and the downstairs neighbor known as the Major, a veteran of the Muslim-Hindu clashes in Calcutta in 1946 and an avid gardener with whom Jasmine had often sat ``like two old dogs in the sun.'' Others include Meg's stunningly handsome, bullying beau Roger, who urged that she help Jasmine end her life; Felicity Howarth, Jasmine's faithful home-care nurse who slaves to keep her brain-damaged son in an institution; and Jasmine's weak-willed brother Theo, owner of a village junk shop who has failed at every venture he's tried. Helped by Jasmine's journal and a visit to a mental hospital, the clues finally click into place to reveal the culprit. Meg makes a decision that promises hope for two people, while Gemma and Duncan, both unlucky in love, move closer to each other.

    • AudioFile Magazine
      The one thing Jasmine's killer did not count on was that Jasmine's neighbor was a detective from Scotland Yard. And he's having a hard time accepting the apparent suicide of his terminally ill friend. Finally uncovering the truth, he wonders if it would have better if he had left it all alone. Christopher Kay gives a sensitive narration of this mystery, which explores fundamental questions of personal responsibility, rights of the terminally ill, assisted suicide, and complexities of human relationships. Tone, cadence, and accents are tools Kay uses well to create a small but diverse collection of characters. His choices enhance the observations of class, privilege, and status that subtly flow through the assumptions and decisions that affect the investigation. His handling of Jasmine's diary entries helps to make her voice a real presence in the story. J.E.M. (c) AudioFile 2002, Portland, Maine

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