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Letters to Kurt

ebook
1 of 1 copy available
1 of 1 copy available

A poetic elegy for Kurt Cobain from the man who created the band Hole with Cobain's wife Courtney Love.

"Nearly two decades after the death of Kurt Cobain, a friend and fellow musician not only continues to mourn his suicide, but also rages against the culture that he holds responsible. These 52 'letters' . . . combine the subject matter of the Byrds' 'So You Wanna Be a Rock and Roll Star' with the fury of Allen Ginsberg's Howl . . . A catharsis for the writer and perhaps for the reader as well." —Kirkus Reviews

Letters to Kurt is an anguished, angry, and tender meditation on the octane and ether of rock and roll and its many moons: sex, drugs, suicide, fame, and rage. It's part Berryman's Dream Songs, part Bukowski, Ferlinghetti, Ginsberg, and the Clash. Rants and reflections fill these fifty-two prose poems. They are raw, funny, sad, and searching. This will make a beautiful book for anyone who loved Nirvana and Hole and the time and place when their music changed everything. Ultimately, it's an elegy for Kurt and the "suicide idols" who tragically fail to find salvation in their amazing music.

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    • Kirkus

      February 15, 2012
      Nearly two decades after the death of Kurt Cobain, a friend and fellow musician not only continues to mourn his suicide, but also rages against the culture that he holds responsible. These 52 "letters"-- bursts of anger and sardonic humor, without paragraphing, but tempered by literary aspiration (and a little too much wordplay)--combine the subject matter of the Byrds' "So You Wanna Be a Rock and Roll Star" with the fury of Allen Ginsberg's Howl. As Erlandson explains in the introduction, he was the boyfriend and band mate of Courtney Love when they first met Cobain, who would become her husband and a friend of the author, one of the many profoundly affected by the Nirvana front man's suicide. (Erlandson subsequently had an extended relationship with Drew Barrymore, though it's hard to find her presence in these pages.) The author writes, "I began writing prose poem letters to Kurt as a way of exploring all I'd been through...My inner demons, personal means of self-sabotage, musings on death, suicide, masculine/feminine roles, food, sex, addiction," etc. The results read like a journal for a creative-writing course, but the pain is real and powerful. The pieces often cast Cobain as a victim and Love as an occasional villain (the author's involvement in their band Hole ended in acrimony and legal action), but its major indictment is of a celebrity culture in which "all beauty has poison under its skin, fangs beneath its gums, a bullet with your name on it, in the name of fortune and fame. If the art doesn't kill you, the fame surely will." A catharsis for the writer and perhaps for the reader as well.

      COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      April 1, 2012
      Erlandson is known as the cofounder, songwriter, and lead guitarist of the rock band Hole, but he has performed in the shadows of his more famous, and infamous, colleagues and friends, especially Kurt Cobain, the iconic lead singer of the premier grunge band, Nirvana, who committed suicide at the height of his fame, and Courtney Love, Erlandson's former girlfriend and Hole bandmate. As it turns out, Hole released their debut album, Pretty on the Inside, a week before the release of Nirvana's behemoth best-seller Nevermind. Within a month, notes Erlandson, Love and Cobain were a couple. From then on, Erlandson assumed a sort of friend/caretaker role, serving as both Cobain's sounding board and morale booster even as he felt pangs of subconscious jealousy. In addition to Cobain, other friends and associates of Erlandson's self-destructed during a relatively short period of time. Erlandson finally comes to terms with his loss in 52 prose-poem letters ostensibly addressed to Cobain, in which he straightforwardly confronts his inner demons while offering personal reflections on food, drug abuse, death, and self-sabotage.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

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