May 7, 2001
Audio Reviews reflect PW's assessment of the audio adaptation of a book and should be quoted only in reference to the audio version. FICTION EVERYDAY PEOPLE Stewart O'Nan, read by Giancarlo Esposito. Harper Audio, abridged, 6 hrs., four cassettes, $25 ISBN 0-694-52441-7 Crest Tolbert, 18, was paralyzed and confined to a wheelchair after slipping, along with his best friend, from an overpass he was tagging with graffiti. His friend died from the fall. His father, Harold, is having a homosexual affair, a fact he cannot admit to his family, whom he would leave if it weren't for Crest's condition. His mother is certain that Harold is cheating on her with a younger woman and is torn between setting him free and trying to win him back. Vanessa, Crest's girlfriend and the mother of his son, has enrolled in her first college class and is learning about the rich history of their people. Eugene, his brother, is a reformed gangbanger, a born-again Christian whose mission in life is to save young gang members before they end up in prison. Although this is not one of the brilliant O'Nan's best efforts, Esposito comes through with a brilliant reading of the text. His quickness and ease with street slang and verbal posturing fit the characters perfectly and make listening to this tale of day-to-day struggle a truly engaging experience. Simultaneous release with the Grove hardcover (Forecasts, Nov. 20).
February 1, 2001
The protean O'Nan seems determined to touch nearly every facet of human experience in a remarkable variety of times and places. In such brilliant novels as Snow Angel and A Prayer for the Dying, he's created distinctive, almost palpable worlds rich in moral complexities. But while his apparent purpose in writing this new novel (after the nonfiction The Circus Fire) is commendable, this story of African-Americans victimized by poverty and racial bias does not develop the mesmerizing narrative tension that distinguishes his previous work. The characters whose intertwined lives are presented in short chapters are residents of a declining African-American community near Pittsburgh, where drug use offers escape from teenage boredom and a lack of job opportunities; gang wars and violent crime inevitably follow. O'Nan's empathy for his characters conveys their sense of frustration and powerlessness, the restlessness of teenagers and the older generations' stoic dignity. Each character exists in a state of grief. At 18, Chris "Crest" Tolbert is trying to adjust to life in a wheelchair, from an accident in which he and his best buddy, Bean, fell off a thruway overpass while drawing graffiti. Bean died, and his grandmother, Miss Fisk, is admired by the community for her Job-like endurance. Chris's father is hiding a homosexual love for a younger man; his older brother accepted religion in prison and is striving to keep others from going down the path he followed. Nobody is innately bad; each is a victim of the system or of life's ironies. O'Nan's sensitive portraits of these people plumbs the depths of their longings for a decent break but, oddly for this always intense author, the narrative lacks vitality. Earnest, even heartfelt, the novel seems studied and its plot too obviously charted. Still, O'Nan gets the voices just right, especially the homeboy argot and casual obscenities, and flashes of fine writing redeem this admirable but disappointing effort by an outstanding writer. Agent, David Gernert.