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Cleanness

Audiobook
7 of 7 copies available
7 of 7 copies available

"Garth Greenwell's superb narration makes a powerful case for authors reading their own work. This bleak, honest novel is about the impossibility of knowing all the complicated truths of a person. Though the novel includes dialogue, Greenwell doesn't alter his voice as he shifts between characters, a choice that adds to the intensity and power of the first-person point of view." — BookTrib
This program is read by the author.
In the highly anticipated follow-up to his beloved debut, What Belongs to You, Garth Greenwell deepens his exploration of foreignness, obligation, and desire. A New York Times Notable Books of 2020

Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.
In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he's come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student's confession recalls his own first love, a stranger's seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.
Cleanness revisits and expands the world of Garth Greenwell's beloved debut, What Belongs to You, declared "an instant classic" by The New York Times Book Review. In exacting, elegant prose, he transcribes the strange dialects of desire, cementing his stature as one of our most vital living writers.

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    • Publisher's Weekly

      October 21, 2019
      A young American teacher’s reckonings with intimacy and alienation compose the through line of Greenwell’s elegant and melancholy volume (after What Belongs to You). Nine stories track the unnamed narrator, who teaches literature in Bulgaria’s capital, Sofia. Documenting the narrator’s relationship with R., a Portuguese university student, and its dissolution, the stories are touchstones in his emotional development, from an attempt to shepherd a student through the crisis of first love in “Mentor,” to an encounter with homophobia in the midst of an outpouring of national solidarity in “Decent People.” As the teacher’s hopes of a life with R. fade, he returns to sex with men he meets online, which proves both dangerous, as in the chilling “Gospodar,” and revelatory, as in his encounter with the self-abnegation of the young man he calls Svetcheto, “Little Saint.” Unresolved regarding his own character, “how little sense of myself I have, how there was no end to what I could want or to the punishment I would seek,” the narrator struggles to guide the young people he teaches, conscious of the chasm of experience and expectation between them. Greenwell writes about sex as a mercurial series of emotional states and is lyrical and precise in his descriptions of desires and motivations he suggests are not subject to control or understanding. This is a piercingly observant and meticulously reflective narrative. Agent: Anna Stein, ICM Partners.

    • AudioFile Magazine
      Garth Greenwell's superb narration makes a powerful case for authors reading their own work. This bleak, honest novel is about the impossibility of knowing all the complicated truths of a person. In a series of vignettes, a gay American teacher in Bulgaria describes various encounters--ailenating, romantic, disturbing, and tender--with friends, students, lovers, and hookups. There's an open tenderness in Greenwell's voice that's immediately compelling. His narration is emotional but unencumbered, inviting listeners to simply exist with the character in the moment. This is especially apparent in his depictions of several sexual encounters that oscillate between intimate and violent. Though the novel includes dialogue, Greenwell doesn't alter his voice as he shifts between characters, a choice that adds to the intensity and power of the first-person point of view. L.S. © AudioFile 2020, Portland, Maine

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