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The Mirador

Dreamed Memories of Irene Nemirovsky By Her Daughter

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1 of 1 copy available
1 of 1 copy available
A New York Review Books Original

Separated from her mother—the famed author of Suite Française—during World War II, Irène Némirovsky’s daughter offers a “nuanced, eloquent portrait of a complicated woman” in a series of memoirs that reimagine her mother’s life (The Washington Post)

Élisabeth Gille was only five when the Gestapo arrested her mother, and she grew up remembering next to nothing of her. Her mother was a figure, a name, Irène Némirovsky, a once popular novelist, a Russian émigré from an immensely rich family, a Jew who didn’t consider herself one and who even contributed to collaborationist periodicals, and a woman who died in Auschwitz because she was a Jew. To her daughter she was a tragic enigma and a stranger.
It was to come to terms with that stranger that Gille wrote, in The Mirador, her mother’s memoirs. The first part of the book, dated 1929, the year David Golder made Némirovsky famous, takes us back to her difficult childhood in Kiev and St. Petersburg. Her father is doting, her mother a beautiful monster, while Irene herself is bookish and self-absorbed. There are pogroms and riots, parties and excursions, then revolution, from which the family flees to France, a country of “moderation, freedom, and generosity,” where at last she is happy.
Some thirteen years later Irène picks up her pen again. Everything has changed. Abandoned by friends and colleagues, she lives in the countryside and waits for the knock on the door. Written a decade before the publication of Suite Française made Irène Némirovsky famous once more (something Gille did not live to see), The Mirador is a haunted and a haunting book, an unflinching reckoning with the tragic past, and a triumph not only of the imagination but of love.
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    • Publisher's Weekly

      June 20, 2011
      Gille "rediscovers her lost voice by restoring that of her mother" in this unusual first-person imagined autobiography of Irène Némirovsky, (Suite Française). Némirovsky witnessed the pogroms of her native Russia and Ukraine, and lived the high life of an émigré in 1920s Paris before being sent to Auschwitz (her children were saved) during WWII. Elegantly written if a bit mechanical (the author was five when her mother was arrested), this new translation of a work published almost 20 years ago in Europe will add to the fascination with Némirovsky. We are compelled anew as Némirovsky asks through the facing mirrors of a fictionalized self-portrait once removed, "What could one say of the times I was living in, plagued by revolutions, pogroms, and interminable wars?" It is fascinating to ponder a daughter's occupying her artist-mother as a young woman haunted by the strained relationship with her own motherâa woman self-centered to the point of passing off Irène as her younger sister.

    • Library Journal

      July 1, 2011

      Few of us will forget the experience of discovering Irene Nemirovksy's powerful Suite Francaise and the equally powerful and disturbing details of her life. Now we can rediscover Nemirovksy through this novel, a fictionalized biography written by her daughter and published in 1992, where it helped precipitate a reexamination of this remarkable author's work. Gille was just a few years old when her mother, a Russian emigre much celebrated in France, was rounded up and sent to Auschwitz, where she died within the month. Through research and, more significantly, imagination, she has re-created her mother's life, from her privileged, samovar-scented youth in St. Petersburg and Kiev (Nemirovksy's horrid mother is particularly well captured), to her flight to France and heady days as an established writer, to the family's increasingly tenuous circumstances as the Germans invaded and occupied France during World War II and friends deserted them. Gille writes in a style at once lyric and focused, periodically introducing her alter ego's dispassionate reflections as an adult. VERDICT As Gille concludes, Nemirovksy "will remain thirty-nine for all eternity," and that painful realization resonates throughout this beautiful book. For all readers of literary fiction.--Barbara Hoffert, Library Journal

      Copyright 2011 Library Journal, LLC Used with permission.

    • Booklist

      September 1, 2011
      A mirador is a turret, window, or balcony from which one can see for milesthe perfect image for Gille's achingly beautiful act of channeling, as she writes from the point of view of her mother, the renowned Russian-born French novelist Ir'ne N'mirovsky, who was killed at Auschwitz when Gille was two. Originally published in France in 1992, the novel was editor and translator Gille's first book (she died in 1996), and it is now available in English for the first time as the N'mirovsky revival continues. Gille's intricately textured and galvanizing dreamed memories constitute a fictionalized memoir of a brilliant, determined, indignant, independent thinker. Ir'ne rebels against her selfish, high-society mother; reads incessantly and writes in secret; absorbs the turmoil of the Russian Revolution; and comes of age exalting in the liberation of emigration. In Paris, she is transformed from a young wife and mother into a literary sensation, then is fatally betrayed. Gille illuminates Ir'ne's psyche with preternatural empathy in this exquisite and moving homage, which is essential for N'mirovsky's growing readership.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

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